Monday, July 13, 2009

Question

1. Thinking about what Hampe says, what kind of advances in film technology do you think represent real breakthroughs? Is there anything done these days that you think is revolutionary compared to previous years?

2. Hampe also alleges that editing is at the heart of communication in a documentary. Do you find this to be the case? What's a good example for/against this?

3. How would you structure an interview to demonstrate the truth (or falsehood) of what that person interviewed is saying?

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